A related revolution currently in digital photography is that of time-lapse capture of scene movement. Showcased in earlier films such as Koyannisquatsi and Baraka by DP Ron Fricke, filmmakers had to previously rely on expensive large-format film-based techniques, where cinematic cameras were advanced incrementally. The advent of high-performance pro digital cameras armed with intervalometers has recently revolutionized the field, with near IMAX resolution possible from a still camera. An efficient way to quickly wear out a camera perhaps, but the ability to shoot high resolution cinematic sequences with a minimum of weight and gear is remarkable versus older methods. By further integrating the sequences with 3d rendering, novel and unlikely camera moves can be made into the image, turning the sequence into an animated 3d scene. Also, by utilizing the same automated pano head used with gigapixel work, one can pan and tilt the camera throughout it’s capture, imparting motion into the sequence.